Chandler Zolliecoffer lifts the viola to her chin and launches into Bach. The lanky 13-year-old plays with a modest sound, unsure pitch and unsteady rhythm, but she gets through the piece without stopping, and when she finishes, her teacher, LaTonya Woods Acosta, gets down to business.
"You made it all the way through, but there were no dynamics, and it's dance music -- so you have to dance," she says.
Acosta picks up her instrument and demonstrates, playing the first phrase with rhythmic pop and ripe volume, before whispering the second phrase for dramatic contrast. Teacher and student then play the piece in unison, Chandler's confidence and style growing stronger by the second.
It's noon on a recent Saturday at Wayne State University and Chandler is one of about 80 students in the Sphinx Preparatory Institute, a program that gives African-American and Latino musicians ages 11 to 18 a leg up through individual and group lessons, chamber music coaching and music history and theory.
According to the 'Free Press' the 10th annual Sphinx Competition in Detroit, which opens Wednesday, shines a spotlight on the lack of minorities in classical music.
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